<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-21041605</id><updated>2011-04-21T16:16:53.708-07:00</updated><title type='text'>mMK`ref`dance</title><subtitle type='html'>Gratitude to Yuppie Liu, who lend a large portion of her materials to mMK dance reference archive.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://mmkreferencedancebks.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://mmkreferencedancebks.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>jaspar</name><uri>http://www.blogger.com/profile/05309091752922131132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>5</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-21041605.post-113740783442290077</id><published>2006-01-16T02:36:00.001-08:00</published><updated>2006-02-13T08:20:35.710-08:00</updated><title type='text'>Chinese Books (includ. trans.)</title><content type='html'>2004&lt;br /&gt;劉青戈,現代舞蹈的身體語言(上海音樂出版社,2004)&lt;br /&gt;2003&lt;br /&gt;跨越夢想的亞細亞(1997-2002小亞細亞戲劇.舞蹈網絡回顧)(台北,舞蹈空間舞蹈團,2003)&lt;br /&gt;相(2000-2002香港藝術節委約節目)2003&lt;br /&gt;2002&lt;br /&gt;香港舞蹈年鑑2000-2001(HK,香港舞蹈界聯席會議,2002)&lt;br /&gt;舞蹈教育會議2001講辭結集(HK,香港藝術發展局,2002)&lt;br /&gt;2001&lt;br /&gt;吳士宏,舞蹈評析與身體觀(台北,五南圖書出版社,2001)&lt;br /&gt;2000&lt;br /&gt;李立亨,我的看舞隨身書(台北,天下遠見,2000)&lt;br /&gt;香港舞蹈歷史 (HK,香港舞蹈界聯席會議,2000)&lt;br /&gt;相集(1997-1999香港藝術節委約節目圖片選)&lt;br /&gt;1998&lt;br /&gt;劉玉華,國際舞星閃閃(香港,1998)&lt;br /&gt;1995香港演藝評論年報(HK,IATC,1998)&lt;br /&gt;1997&lt;br /&gt;香港舞蹈評論集1976-1996 (HK,IATC,1997)&lt;br /&gt;舞蹈審美說(台北,洪葉文化,1997)&lt;br /&gt;1996&lt;br /&gt;CCDC (城市當代舞蹈團,1996)&lt;br /&gt;歐建平,現代舞欣賞法(上海音樂出版社,1996)&lt;br /&gt;李宗芹,與心共舞-舞蹈治療的理論與實務(台北,張老師文化事業,1996)*&lt;br /&gt;Walter Sorell, Dance in its time 西方舞蹈文化史(中國人民大學,1996)*&lt;br /&gt;1994&lt;br /&gt;舞蹈美學(台北,洪葉文化,1994)*&lt;br /&gt;黃麒&amp;amp;葉蓉,現代芭蕾(台北,大呂,1994)&lt;br /&gt;1993&lt;br /&gt;劉玉華,那一舞的風情(香港,城市當代,1993)&lt;br /&gt;1991&lt;br /&gt;劉玉華,閒情舞話(香港,城市當代,1991)&lt;br /&gt;1990&lt;br /&gt;劉玉華,風華曼舞集(HK, Tomokazu,1990)&lt;br /&gt;曹誠淵,舞過群山(HK, Tomokazu,1990)&lt;br /&gt;多麗絲.韓芙莉 The Art of Making Dances 舞蹈創作藝術(中國舞蹈,1990)*&lt;br /&gt;1989&lt;br /&gt;林懷民,說舞(台北,遠流,1989)*&lt;br /&gt;中國舞蹈技巧(北京大學,1989)*&lt;br /&gt;1988&lt;br /&gt;舞蹈世界(1988)*&lt;br /&gt;1986&lt;br /&gt;古典芭蕾基礎(1986)*&lt;br /&gt;1985&lt;br /&gt;鄧肯自傳(台北,遠景,1985)*&lt;br /&gt;1981&lt;br /&gt;舞蹈解剖學初探(人民音樂,1981)*&lt;br /&gt;1980&lt;br /&gt;常用舞蹈動作選(人民音樂,1980)*&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/21041605-113740783442290077?l=mmkreferencedancebks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mmkreferencedancebks.blogspot.com/feeds/113740783442290077/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=21041605&amp;postID=113740783442290077' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default/113740783442290077'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default/113740783442290077'/><link rel='alternate' type='text/html' href='http://mmkreferencedancebks.blogspot.com/2006/01/chinese-books-includ-trans.html' title='Chinese Books (includ. trans.)'/><author><name>jaspar</name><uri>http://www.blogger.com/profile/05309091752922131132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-21041605.post-113740781664475181</id><published>2006-01-16T02:36:00.000-08:00</published><updated>2006-08-27T21:25:49.700-07:00</updated><title type='text'>English Books (includ. trans.)</title><content type='html'>according to Author/Editor alphabetical order&lt;br /&gt;&lt;br /&gt;ADF / Kennedy Center&lt;br /&gt;Modern Dance, Jazz Music and American Culture (?)&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;ed. Janet Adshead-Lansdale,&lt;br /&gt;DANCING TEXTS - Intertextuality in interpretation (1999) *&lt;br /&gt;London, Dance Books Ltd.&lt;br /&gt;&lt;br /&gt;ed. Ann Cooper Albright and David Gere,&lt;br /&gt;Taken by Surprise – A Dance Improvisation Reader (2003)&lt;br /&gt;Connecticut, Wesleyan University Press.&lt;br /&gt;&lt;br /&gt;ed. Ann Cooper Albright and Ann Dils,&lt;br /&gt;Moving History / Dancing Cultures– A Dance History Reader (2001) Connecticut, Wesleyan University Press.&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Sally Barnes,&lt;br /&gt;DEMOCRACY'S BODY Judson Dance Theater, 1962-64 (1993)&lt;br /&gt;Durham, Duke University Press.&lt;br /&gt;&lt;br /&gt;Sally Barnes,&lt;br /&gt;WRITING DANCING IN THE AGE OF POSTMODERNISM (1994)&lt;br /&gt;Hanover, Wesleyan University Press.&lt;br /&gt;&lt;br /&gt;Sally Barnes,&lt;br /&gt;Subversive Expectations - Performance Art and Paratheater in New York 1976-1985 (1998)&lt;br /&gt;Wesleyan University Press. &lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Sally Barnes,&lt;br /&gt;Terpsichore in Sneakers - Post-Modern Dance (1977)&lt;br /&gt;Ann Arbor.&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;ed. J.M.Brown, N Mindlin, C.H.Woodford,&lt;br /&gt;THE VISION OF MODERN DANCE - In the words of its creators (2nd Edition)(1998)*&lt;br /&gt;London, Dance Books Ltd.&lt;br /&gt;&lt;br /&gt;TRISHA BROWN: DANCE AND ART IN DIALOGUE, 1961-2001&lt;br /&gt;&lt;br /&gt;Alexandra Carter,&lt;br /&gt;THE ROUTLEDGE DANCE STUDIES READER (1998)*&lt;br /&gt;London, Routledge.&lt;br /&gt;&lt;br /&gt;Germano Celant,&lt;br /&gt;MERCE CUNNINGHAM (1999) *&lt;br /&gt;Charta&lt;br /&gt;&lt;br /&gt;Mary Clarke and Clement Crisp&lt;br /&gt;Understanding Ballet (1976)&lt;br /&gt;NY: Harmony&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Selma Jeanne Cohen,&lt;br /&gt;The Modern Dance - Seven Statements of Belief (1965)&lt;br /&gt;(J. Limon, A. Sokolow, E. Hawkins, D.Mckayle, A. Nikolais, P. Koner, P. Taylor)&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Selma Jeanne Cohen,&lt;br /&gt;Next Week, Swan Lake - Reflections on Dance and Dances (1982)&lt;br /&gt;Connecticut, Wesleyan UP&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;ed. Selma Jeanne Cohen,&lt;br /&gt;Dance as a Theatre Art - Source Readings in Dance History from 1581 to the Present (1974)&lt;br /&gt;NJ: Princeton&lt;br /&gt;[06us] &lt;br /&gt;&lt;br /&gt;ed. Roger Copeland &amp; Marchall Cohen,&lt;br /&gt;WHAT IS DANCE? (1983)&lt;br /&gt;Oxford, Oxford University Press.&lt;br /&gt;&lt;br /&gt;Arlene Croce,&lt;br /&gt;WRITING IN THE DARK, DANCING IN THE NEW YORKER (2000/2005)&lt;br /&gt;University Press of Florida&lt;br /&gt;&lt;br /&gt;Arlene Croce,&lt;br /&gt;After Images (1969/1979)&lt;br /&gt;NY Vintage&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Edwin Denby (1903-1983),&lt;br /&gt;DANCE WRITINGS AND POETRY (1998)&lt;br /&gt;NH, Yale University Press.&lt;br /&gt;&lt;br /&gt;ed. Jane C. Desmond&lt;br /&gt;Meaning in Motion - New Cultural Studies of Dance (1997)&lt;br /&gt;NC, Duke UP&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Rose Eichenbaum&lt;br /&gt;(forword by Clive Barnes)&lt;br /&gt;Masters of Movement - Protraits of America's Great Choreographers&lt;br /&gt;(Washington, Smithsonian Books, 2004).&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;ed. J. Escoffier &amp; M. Lore&lt;br /&gt;MARK MORRIS’ A Celebration&lt;br /&gt;&lt;br /&gt;Susan Leigh Foster,&lt;br /&gt;READING DANCING – Bodies and Subjects in Contemporary American Dance (1986)&lt;br /&gt;Berkeley, University of California Press.&lt;br /&gt;&lt;br /&gt;ed. Susan Leigh Foster,&lt;br /&gt;CORPOREALITIES – Dancing Knowledge, Culture and Power (1996)*&lt;br /&gt;London, Routledge.&lt;br /&gt;&lt;br /&gt;Sondra Horton Fraleigh,&lt;br /&gt;DANCE AND THE LIVED BODY(1987)&lt;br /&gt;Pittsburgh, University of Pittsburgh Press&lt;br /&gt;&lt;br /&gt;Mark Franko,&lt;br /&gt;DANCING MODERNISM / PERFORMING POLITICS (1995)*&lt;br /&gt;Indianapolis, Indiana University Press&lt;br /&gt;&lt;br /&gt;Sondra Horton Fraleigh,&lt;br /&gt;DANCE AND THE LIVED BODY – A Descriptive Aesthetics&lt;br /&gt;&lt;br /&gt;Margaret De Haan Freed, A Time to Teach, A Time to Dance&lt;br /&gt;(Jalmar Press, 1976)&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;ed. Ellen W. Goellner &amp;amp; Jacqueline Shea Murphy BODIES OF THE TEXT - Dance as Theory, Literature as Dance (1995) News Brunswick, Rutgers University Press, NJ&lt;br /&gt;&lt;br /&gt;Judith Lynne Hanna,&lt;br /&gt;To Dance is Human - A Theory of Nonverbal Communication (1979)&lt;br /&gt;Texas UP&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Jamake Highwater,&lt;br /&gt;DANCE – Rituals of Experience&lt;br /&gt;&lt;br /&gt;Moria Hodgson,&lt;br /&gt;QUINTET - Five American Dance Companies&lt;br /&gt;(NY: William Morrow, 1976).&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Louis Horst &amp; Carroll Russell,&lt;br /&gt;Modern Dance Forms - in relation to the other modern arts (1961)&lt;br /&gt;Republication, NY Dance Horizons&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Doris Humphrey, The Art of Making Dances (1959)&lt;br /&gt;NY: Grove&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Gerald Jonas,&lt;br /&gt;Dancing - The Pleasure, Power, and Art of Movement (1992)&lt;br /&gt;H.N.Abrams+Thirteeen/WNET&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Deborah Jowitt,&lt;br /&gt;Jerome Robbins - His Life, his theater, his dance (2005)&lt;br /&gt;NY Simon &amp; Schuster&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Deborah Jowitt,&lt;br /&gt;The Dance in Mind - Profiles and Reviews 1976-1983 (1985)&lt;br /&gt;Boston: David R. Godine&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Deborah Jowitt,&lt;br /&gt;Time and the Dancing Image (1988)&lt;br /&gt;University of California Press&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Lincoln Kirstein,&lt;br /&gt;Four Centuries of Ballet - Fifty Masterworks&lt;br /&gt;(NY, Dover, 1970/1984)&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;ed. Nicholas Kenkins,&lt;br /&gt;A Lincoln Kirstein Reader (1991)&lt;br /&gt;(NY, Farrar, Straus &amp; Giroux)&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Carol Lee,&lt;br /&gt;BALLET IN WESTERN CULTURE - A History of Its Origins and Evolution (1999) *&lt;br /&gt;Needham heights, MA, Allyn and Bacon.&lt;br /&gt;&lt;br /&gt;Harriet R. Lihs, Appreciating Dance - A Guide to the World's Liveliest Art (1998)&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Thalia Mara&lt;br /&gt;The Language of Ballet - A Dictionary (1966)&lt;br /&gt;NJ: Princeton&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Joseph H. Mazo,&lt;br /&gt;Dance is a Contact Sport (1976/81)&lt;br /&gt;NY: De Capo&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Don McDonagh,&lt;br /&gt;THE COMPLETE GUIDE TO MODERN DANCE (1976)&lt;br /&gt;NY, Doubleday &amp; Company.&lt;br /&gt;&lt;br /&gt;Don McDonagh, The Rise and Fall and Rise of Modern Dance - The Story of Modern Dance in the 1960s: M. Cunningham, P. Taylor, T. Tharp, Y. Rainer, A. Nikolais, and Nine Others (1970/90) NY, Doubleday &amp;amp; Company.&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;ed. Myron Howard Nadel and Constance Nadel Miller&lt;br /&gt;The Dance Experience - Readings in Dance Appreciation (1970/78)&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Cynthia J. Novack,&lt;br /&gt;Sharing the Dance - COntact Improvisation and American Culture (1990)&lt;br /&gt;Wisconsin UP&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Jaana Parviainen,&lt;br /&gt;BODIES MOVING AND MOVED - A Phenomenological Analysis of the Dancing Subject and the Cognitive and Ethical Values of Dance Art (1998) *&lt;br /&gt;Finland? Tampere University Press.&lt;br /&gt;&lt;br /&gt;Nancy Reynolds &amp; Malcolm McCormick,&lt;br /&gt;No Fixed Point, - Dance in the Twentieth Century (2003)&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;ROSAS ALBUM (1993)&lt;br /&gt;Amsterdam, Theater Insitut Nederland&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Anya Peterson Royce,&lt;br /&gt;THE ANTHROPOLOGY OF DANCE (1977/2002) *&lt;br /&gt;Alton, Dance Books.&lt;br /&gt;&lt;br /&gt;Maxine Sheets-Johnstone,&lt;br /&gt;THE PHENOMENOLOGY OF DANCE(1966/79)*&lt;br /&gt;London, Dance Books Ltd.&lt;br /&gt;&lt;br /&gt;Marcia B. Siegel,&lt;br /&gt;WATCHING THE DANCE GO BY (1977)&lt;br /&gt;Boston, Houghton Mifflin Company.&lt;br /&gt;&lt;br /&gt;Marcia B. Siegel,&lt;br /&gt;The Tail of the Dragon - New Dance, 1976-1982 (1991)&lt;br /&gt;Durham: Duke UP&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Marcia B. Siegel,&lt;br /&gt;Days on Earth - The Dance of Doris Humphrey (1993)&lt;br /&gt;Durham: Duke UP&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Walter Sorell,&lt;br /&gt;The Dancer's Image - points and counterpoints (1971)&lt;br /&gt;NY: Columbia UP&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Katherine Teck,&lt;br /&gt;Ear Training for the Body - A Dancer's Guide to Music&lt;br /&gt;Princeton, 1994.&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;ed. Helen Thomas&lt;br /&gt;DANCE, GENDER AND CULTURE (1993)*&lt;br /&gt;London, Macmillan Press.&lt;br /&gt;&lt;br /&gt;Terry Trucco,&lt;br /&gt;The New York Book of Dance (1995)&lt;br /&gt;NY: City and Co.&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Margery J. Turner (with Ruth Grauert and Arlene Zallman)&lt;br /&gt;New Dance - Approaches to Non-literal Choreography (1971)&lt;br /&gt;Pittsburgh UP&lt;br /&gt;[06us]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/21041605-113740781664475181?l=mmkreferencedancebks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mmkreferencedancebks.blogspot.com/feeds/113740781664475181/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=21041605&amp;postID=113740781664475181' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default/113740781664475181'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default/113740781664475181'/><link rel='alternate' type='text/html' href='http://mmkreferencedancebks.blogspot.com/2006/01/english-books-includ-trans.html' title='English Books (includ. trans.)'/><author><name>jaspar</name><uri>http://www.blogger.com/profile/05309091752922131132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-21041605.post-113740780292619284</id><published>2006-01-16T02:35:00.001-08:00</published><updated>2006-01-16T02:38:49.300-08:00</updated><title type='text'>Media (Vcd, Dvd, Video)</title><content type='html'>&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/21041605-113740780292619284?l=mmkreferencedancebks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mmkreferencedancebks.blogspot.com/feeds/113740780292619284/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=21041605&amp;postID=113740780292619284' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default/113740780292619284'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default/113740780292619284'/><link rel='alternate' type='text/html' href='http://mmkreferencedancebks.blogspot.com/2006/01/media-vcd-dvd-video.html' title='Media (Vcd, Dvd, Video)'/><author><name>jaspar</name><uri>http://www.blogger.com/profile/05309091752922131132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-21041605.post-113740772748411026</id><published>2006-01-16T02:35:00.000-08:00</published><updated>2006-12-12T09:08:30.726-08:00</updated><title type='text'>Magazines, Journals / Articles &amp; Clippings</title><content type='html'>舞蹈專題:郁及其它(E+E Vol.5 秋/冬2002)&lt;br /&gt;&lt;br /&gt;Presentation Papers of the Dance/Audience International Conference, Oct 1995 (donated by Edwin Lai, thx!)&lt;br /&gt;&lt;br /&gt;2wice (visual and performing arts)&lt;br /&gt;vol 9. No.1 (2006)&lt;br /&gt;Cunningham / Rauschenberg&lt;br /&gt;NY, 2wice&lt;br /&gt;[06us]&lt;br /&gt;&lt;br /&gt;Choreography and Dance – An International Journal /Part 3 – William Forsythe (Harwood, 2000)&lt;br /&gt;&lt;br /&gt;INK&lt;br /&gt;vol.7, Number 1 (spring 1996)&lt;br /&gt;[06us]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/21041605-113740772748411026?l=mmkreferencedancebks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mmkreferencedancebks.blogspot.com/feeds/113740772748411026/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=21041605&amp;postID=113740772748411026' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default/113740772748411026'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default/113740772748411026'/><link rel='alternate' type='text/html' href='http://mmkreferencedancebks.blogspot.com/2006/01/magazines-journals-articles-clippings.html' title='Magazines, Journals / Articles &amp; Clippings'/><author><name>jaspar</name><uri>http://www.blogger.com/profile/05309091752922131132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-21041605.post-113740769527078631</id><published>2006-01-16T02:34:00.000-08:00</published><updated>2006-02-13T08:11:37.066-08:00</updated><title type='text'>Misc. (Other languages etc.)</title><content type='html'>Master Paper:&lt;br /&gt;LAU Tin Ming, Modern Dance Choreography in 1990s Hong Kong (HKU, 2004)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;PERFORMANCE ART&lt;br /&gt;&lt;br /&gt;Johannes Birringer,&lt;br /&gt;MEDIA &amp; PERFORMANCE ALONG THE BORDER&lt;br /&gt;&lt;br /&gt;ed. Bonnie Marranca &amp;amp; Gautam Dasgupta,&lt;br /&gt;CONVERSATIONS ON ART AND PERFORMANCE&lt;br /&gt;&lt;br /&gt;Linda M. Montano, Performance artists talking in the Eighties (University of California Press, 2000)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/21041605-113740769527078631?l=mmkreferencedancebks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mmkreferencedancebks.blogspot.com/feeds/113740769527078631/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=21041605&amp;postID=113740769527078631' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default/113740769527078631'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21041605/posts/default/113740769527078631'/><link rel='alternate' type='text/html' href='http://mmkreferencedancebks.blogspot.com/2006/01/misc-other-languages-etc.html' title='Misc. (Other languages etc.)'/><author><name>jaspar</name><uri>http://www.blogger.com/profile/05309091752922131132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
